Showing posts with label Mexico. Show all posts
Showing posts with label Mexico. Show all posts

Saturday, May 18, 2013

Hotel Review - Four Seasons Punta Mita



The juice was green. And because this was Mexico I suspected, correctly, that this might be cactus.

The light, coming off the wide expanse of Pacific, was dazzling. “Glare,” I thought. I adjusted my sunglasses.

Was that a breeze wafting up from the jungly vegetation below and through the expansive lobby? I wrote in my notebook: “Draughty?”

The reception lounge was calm, quiet, with just one couple checking out, far off, at the front desk. I knit my brow, and wondered: “Undue space?”

I saw a splash on the horizon. A dolphin possibly. Exotic birds darted here and there through the palm trees, heading for the Sierra Madre mountains, the haunt of sea eagles, behind. On a rooftop down the hill a lizard sunned himself. I remembered that John Huston’s film The Night of the Iguana was filmed nearby. I sniffed. “All this wild life... ever have any problems?”

The check-in manager sat across smiling, nonplussed by my act. The fact was we were in one of the most beautiful spots on earth, once called by native Americans “the place where heaven and earth meet,” and everything was perfect.

As mentioned in an earlier post (link below), I’d first heard of Punta Mita, a broad green peninsula on the central Pacific coast of Mexico, from a well known “Rockosaurus.” At the top of the enormous Bahia de Bandares, thirty miles from Puerto Vallarta, on a privately-owned six-km square peninsula limned by white beaches, sit two of the world’s most exclusive international resorts, the Four Seasons and the St. Regis. In the middle of a world tour last year, the rocker in question had a short break between legs, and had rented a villa there, inviting a score of family members to join. “Sounds terrific,” I said.

He paused, some dissatisfaction hovering. “I suppose,” he said. “But, well... they wouldn’t let us land our helicopter on the grounds.”

“Oh,” I said. “How inconvenient.” (But how considerate for the other guests!)

continued after the break...


Tuesday, April 23, 2013

Hotel Review - The St. Regis Punta Mita



Punta Mita.

I’d first heard of the place, a broad green peninsula on the central Pacific coast of Mexico, from a well known “Rockosaurus.”

At the top of the enormous Bahia de Bandares, thirty miles from Puerto Vallarta, on a privately-owned six-km square peninsula limned by white beaches, sit two of the world’s most exclusive international resorts, the Four Seasons and the St. Regis. In the middle of a world tour last year, the rocker in question had a short break between tour legs, and had rented a villa there, inviting a score of family members to join.

“Sounds terrific,” I said when he told me about it.

He nodded, paused, with some dissatisfaction hovering.  (He's a man of discriminating taste, usually staying when in, say, London at the Berkeley or the Mandarin Oriental.)  “Terrific?  I suppose,” he said.  “But... well... they wouldn’t let us land our helicopter on the grounds.”

“Oh,” I said.  “How inconvenient.”  (But how considerate for the other guests!)

I myself arrived there not by helicopter but by taxi, at the end of a one city tour... as a tourist in fact!  I'd been sent to Mexico City by British Airways High Life magazine to report on the vibrant rebirth of that city and its Nueva Onda of young artists, as mentioned HERE.  The magazine's editor suggested that before heading home I look at one of the resorts on the Pacific Coast.  After braving the Zona Maco art fair, the restaurant visits, the studio look-ins, I thought such a visit might be, if not fully deserved, at least needed.

On the south side of Punta Mita sits the diminutive St. Regis Resort.  It's an elegant, slightly formal place, as befits a resort that is part of a hotel group founded a century ago by New York grandee John Jacob Astor.  Admittedly, I never became accustomed there to having a personal butler, as was assigned to each room, but I suspect that many other guests (including assorted rock stars) arrived already used to such.  The interiors of both the guest suites and the public spaces bring a Provencal touch  to Mexico.  Their spa is an expansive complex of treatment rooms, open-air showers, hot pools and jacuzzis with sunshine beating down and the sound of waves nearby.  Of their three restaurants (and all restaurants are open to guests of either resort) the highlight is Carolina, named after JJA’s wife, an award-winning fine dining restaurant, overseen by Sylvain Desbois.  The wine list has depth and breadth, and I encountered a wine I’d always wanted to try, the legendary Vega Sicilia of Ribiero del Duero, Spain.  It was worth the wait.

continued after the break...


Thursday, September 20, 2012

Mexico and Its New Wave of Artists - Dulce Pinzon

My article about Mexico City and its Nueva Onda of artists is now up on the BA High Life magazine website.  In the piece I chart the recent transformation of Mexico City into a cosmopolitan city and a world-class contemporary art destination.  Here I highlight some of the artists:
... Then, there are the creators themselves, like Gabriel Orozco, the first Mexican artist to establish an international reputation since Kahlo and Rivera did so in mid-20th Century.  Now fifty, Orozco, a protean stylist, went to New York and painted, photographed, videoed, and made “found art” from objects picked off the street.  When he returned to Mexico City in 1999 he found that other young artists, like former cartoonist Damien Ortega (whose signature piece was a disassembled and suspended Volkswagen Beetle), and Dulce Pinzon, a photographer, had grown open to international influences and conceptual styles. 
Below is an example of Pinzon's  recent work, a self-portrait no less.  As the piece continues below she discusses her breakthrough photographic series.



Pinzon, while living in Brooklyn, made a tongue-in-cheek documentary series of photos showing everyday Mexicans as superheroes, the conceit being that Paulino Cardozo, a green-skinned, muscled Incredible Hulk, is an immigrant in NY who works long hours to send money home.  Pinzon told me: “When I moved to New York in the mid 1990s the art scene in Mexico was small and everything revolved around the established, consecrated artists who’d passed away decades before.  As the art market developed and young artists became open to ideas from New York, Berlin and elsewhere I saw that living in México again and producing art here was finally possible.”

Read the whole thing (a five page click-through) HERE.

Monday, September 3, 2012

Mexico City and Its New Wave of Artists

I've written about Mexico City and its new wave of artists in the September issue of British Airways High Life magazine.  The feature should be on planes now and available on line soon.  I'll be writing more on that subject here, with interviews, artifacts, and a mini profile of photographer Dulce Pinzon.

What has driven this recent explosion of art in Mexico?  Damien Hirst, the original YBA (Young British Artist) has ideas what about the culture connects artists to the most chthonic streams of inspiration. For the last eight years Hirst has been living part-time in the country, collecting the work of Mexican artists, and of course his latest sensation, a diamond-encrusted skull entitled "For the Love of God," was itself a quotation of the Mexican tradition.

In an interview seven years ago for the Guardian he opined: "It’s about death. In England people hide or shy away from death and ideas about it, whereas Mexicans seem to walk hand in hand with it.  In that way I feel a bit liberated here."  Read the whole thing, at the link below.

This spring Hirst himself interviewed his dealer in Mexico Hilario Galguera, at a link below.

When I was in Mexico this May for the Zona Maco contemporary art fair, I spotted this (artist unknown to me) in the hallway of a patron's home. 

                                                                                                     Artist unknown.  Photo: JSL


Read Hirst in the Guardian here.

Galguera interviewed by Hirst here.


Friday, June 15, 2012

Mexico, on the Pacific Side

Last night in rainy London I saw new friends from Mexico visiting here for work.  I want to go back, next time to the Yucatan, and then again to the Pacific where I was last month.  I'll be writing more about that trip soon.  Meanwhile...


Sunday, April 22, 2012

... to Mexico

                                                                                                                                    photo: JSL

I've landed in Mexico, to write about the Zona Maco art fair and the contemporary art world here.  Updates to come.


Thursday, March 1, 2007

Memories of Erich Fromm by Michael Maccoby

In 1959 while I was finishing my doctorate at Harvard, David Riesman, the sociologist, introduced me to Erich Fromm who was looking for a psychologist with knowledge of statistics and projective testing to work with him on his study of a Mexican village. In exchange for working with him, Fromm offered me training in psychoanalysis at the Mexican Institute he had founded and analysis with him. That year before leaving for Mexico in 1960 with my wife Sandylee, I participated with Fromm, Riesman and others in two political meetings. One focused on the dangers of nuclear war with the Soviet Union which led to establishing a group called Committees of Correspondence. Riesman published a newsletter, The Correspondent, which both Fromm and I contributed to in the years that followed. The other was a meeting to discuss revitalizing the Socialist Party in the United States. Fromm had written a manifesto which was the topic of discussion. Although I agreed with much of what Fromm had written, I wasn’t convinced that a Socialist Party had any chance in America, a country where class differences are denied. Riesman, who was also at the meeting, and I decided our best hopes were to work within the Democratic Party, and subsequently, we presented a paper to a group of progressive Democratic Congressmen which was published in a collection of essays called The Liberal Papers(1961).

From 1960 to 1970, I was Fromm’s student, analysand, apprentice, and colleague, co-author of a debate on thermonuclear war with Herman Kahn(1962) and finally the book Social Character in a Mexican Village (1970).

It is difficult to summarize a decade of profound learning and experiences with Fromm. The analysis was a deep exploration of self, rich in dreams and insights that woke up sleeping parts of the self and forced me to take full ownership of my life in making critical decisions. At one point, I had a dream of being in a Harvard examination hall with others. In front of us was a map of the world. I started to work on my map but I noticed the others just sitting there, not working. “That’s a good dream,” said Fromm, “We are all given the world as a test, but most people don’t know it’s a test they have to to take until it’s too late and they can no longer decide what they are here for.”

Fromm’s view of the self was like a mansion of many rooms in which most people lived in one or two with the others closed off. Like Freud, he agreed with Horace that “nothing human is alien to me”. One’s ability to experience and contain all the irrational as well as transcendent emotions, from the murderous to the loving and sublime, from deep despair to encompassing joy determined how deep the analysis could go. But to contain this awareness required a philosophical frame of meaning which Fromm had found first in Judaism but later in different forms of Buddhism and religious mysticism. Together with my analysis, Fromm had me read Aristotle’s and Spinoza’s Ethics, Herbert Marcuse’s study of Hegel, Kierkegaard’s Purity of Heart Is To Will One Thing, Meister Eckhardt’s stages of development and writings in Zen and Indian Buddhism.


During the time I knew him, including periodic meetings in the 1970s, Fromm significantly changed some of his views. In the early 1960s, his outlook combined a messianic belief in humanistic socialism with a practice of Zen Buddhism, learned from D. Suzuki. He was in contact with the Yugoslavian Paxis Marxist and encouraged me to lecture in Belgrade and Zagreb in 1964 and later to attend the meetings of Praxis in Korcula.
His analytic style at this time was very influenced by Zen and he had me practice Zen meditation every day. Like a Zen master he could be punishing when he thought I was holding back or being inauthentic. When I complained that he was not being helpful, he said “I am not here to be helpful but to analyze”. He repeated the Zen story of the master who smacks his disciple with a stick. “But I haven’t even said anything,” says the student. “Why should I wait?” says the master.

After his heart attack, Fromm became gentler, more sympathetic.He said that one could believe all illness was psychosomatic until you reached your 60s, In 1968, we both were very active in the anti Viet Nam war movement and Eugene McCarthy’s campaign for president. After the election was over, Fromm expected McCarthy to join him in leading a humanistic movement based on his book The Revolution of Hope, but McCarthy let him down, even failing to show up for an agreed-on meeting. Fromm became more pessimistic. The Messiah was not going to come any time soon. The Socialist movement was being buried in the rebellious acting out of the late 1960s, more in tune with what Fromm considered Herbert Marcuse’s distortion of both Freud and Marx than with Fromm’s humanism. He became more interested in individual spiritual development, more in tune with the Buddhist vision of transcendence, of becoming one with nature. In his New York apartment, he lay on the floor and showed me how he was practicing dying. His book To Have Or To Be expressed his conviction about purpose, the aspiration to fully love life and to not be held back by greed and enslaving attachments.

Working with Fromm could be difficult but also extremely enjoyable. Even when difficult, it was stimulating. Never before had any professor ripped my drafts apart and forced me to clarify my thoughts, fully express the logic of my arguments. Fromm had no patience with unfounded disagreements, but when we wrote together, he was open to my ideas and criticisms. One of the most memorable days of my life was when he asked me to critique his manuscript of The Anatomy of Human Destructiveness and we met in his New York apartment, dialoguing and arguing from 11:00 am to 11:00 pm, getting up only to go to the bath room. Food and drink was brought in by Annis, his wife. What intensity and concentration! Yet, at 11:00pm, neither of us was at all tired. We were fully awake, full of enthusiasm from the intellectual journey we had shared.

Fromm’s tough criticism was, I believe, a compliment, for he was equally tough on himself and extremely self critical of what he considered his narcissism. Like Freud, he saw himself as a narcissistic personality. However, in retrospect, I think he overemphasized the negative aspects of this personality type and underestimated the positive side, the lack of internalization of the father, replacing the superego with an ego ideal, giving one the freedom to create, for good or evil, one’s own sense of meaning without being tied to cultural norms.

Fromm and I both loved telling each other jokes. He had a wonderful sense of humor and a joyful laugh. He believed that a sense of humor is the emotional equivalent of a cognitive sense of reality. He especially enjoyed humor that punctured self importance.

Fromm became an idolized figure in Mexico, based on appreciation of his wisdom but also strengthened by transferential idealization. His disciples lacked his knowledge and vision and few questioned anything he pronounced. I once asked him how it felt to be idealized and he answered that it was frustrating in the sense that his followers, with few exceptions, only repeated what he gave them, that there was a lack of creativity in their followership. But this is a problem with many extremely creative thinkers who never finish learning and revising their ideas. It is the reason why the Freuds, Marxes and Fromms don’t want to be Freudians, Marxists or Frommians..