... from "The World is the Home of Love and Death"
Some prose written after the third kiss from her (and after the doctor took three stitches in my thumb).
I sit at her desk in her office looking out her large window: Give me the huge actual clouds of the Republic and not the meagre udders of water vapor painted on the old backdrops the Republic Studio used in John Wayne's day. We like the actual big baggy clouds of a New York spring. One doesn't want to flog a transiting cloud to death, but if we are to have sentimental light, let us have it at least in its obvious local form--dry, white, sere, and, I guess, provincial. The spiritual splendor of our drizzly and slaphappy spring weather, our streets jammed with sneezing pedestrians, our skies loony with bluster are our local equivalents of lilac hedges and meadows.
Blustery, raw and rare--and more wind-of-the-sea-scoured than half-melted St. Petersburg. Yuck to cities that have an immersed-in-swamp-and-lagoon moist-air light. They are for watercolorists. Where water laps at the edges of the stones and bricks of somewhat wavery real estate is not home. Home is New York, stony and tall: its real estate is real.
So is its spring.
More from Harold Brodkey HERE.