This week to the British Film Institute's Southbank Theater comes the legendarily unavailable film "The Killer of Sheep" by Charles Burnett.
What a wonderful movie. Not much in the way of story, but the film has a gaze that's penetrating yet generous to its characters. One thing I especially loved was the constant stream of oblique glimpses into their lives. Example... filmmakers are always taught to get into a scene quickly without entrances and exits, to begin "in medias res." Burnett, instead, begins one scene with kids in a little handstand competition on their front porch. Clearly they're bored out of their skulls. After a good while of this, the father, coming home from work and in a "mood,' enters the frame, distractedly brushes their hovering feet away from his face, dumping the kids over, and lumbers in the front door. Somehow hilarious, and an entrance invested with so much psychological material. Genius rarely comes so offhand.
See it! Meanwhile, a good broad assessment of the film HERE, excerpted below:
The legendary South Central film “Killer of Sheep,” will be released for the first time in theaters on its 30th anniversary. The film, now in a beautifully restored 35mm print, will be commercially distributed for the first time.
Directed by Charles Burnett, “Killer of Sheep” examines the black Los Angeles ghetto of Watts in the mid-1970s through the eyes of Stan, a sensitive dreamer who is growing detached and numb from the psychic toll of working at a slaughterhouse. Frustrated by money problems, he finds respite in moments of simple beauty: the warmth of a teacup against his cheek, slow dancing with his wife to the radio, holding his daughter. The film offers no solutions; it merely presents life -- sometimes hauntingly bleak, sometimes filled with transcendent joy and gentle humor.
“Killer of Sheep” played at a handful of colleges around the United States and in some small European festivals before receiving the Critics' Award at the Berlin International Film Festival in 1981. In 1990, the Library of Congress declared it a national treasure and placed it among the first 50 films entered in the National Film Registry for its historical significance. In 2002, the National Society of Film Critics also selected the film as one of the 100 Essential Films of all time.
“Killer of Sheep” was shot on location in Watts in a series of weekends on a budget of less than $10,000, most of which was grant money. Finished in 1977 and shown sporadically, its reputation grew and grew until it won a prize at the 1981 Berlin International Film Festival.